Discuss the Baroque sense of drama and the use of light in Caravaggio’s Conversion of St. Paul and The Calling of St. Matthew, and Genteleschi’s Judith and Maidservant with the Head of Holofernes.
Choose a piece of Western classical music written during the Common-Practice-Period (1650-1900), or a specific pop, jazz, or folk music selection, which exhibits Functional Harmony, and present a full analysis of the music.