Writing about Nathanael West\’s novel The Day of the Locust and Quentin Tarantino\’s film Django Unchained and how the two texts relate to Hollywood and mass culture in different ways.
While West is critical of Hollywood and the violence that its mass culture inspires, Django Unchained not only embraces and celebrates the mass culture of Hollywood but is clear evidence that violence has become part of the mass culture . Violence, specifically aestheticised violence, has now become a product of Hollywood that is desired and consumed by the masses, as opposed to its past status as a side effect (or symptom) of consuming the industry\’s aesthetic and mass culture during the Great Depression.
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